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MEGAN ASHMAN GALLERY

EXPERIENCE ART AS MAGIC

ORIGINAL MIXED-MEDIA ARTWORK

Prism

Megan Ashman

560

PUBLISHED

SIZE

20x16

MEDIUM

Mixed media on canvas

COLLECTION

Animals & Insects, Nature, Places & Spaces, Emotion & Themes, Psychedelic & Surreal, Spirit & Dreams, Abstract & Concepts

SUBCOLLECTION

Insects, Forests, Realms, The Shadow Self, Ethereal & Divine, Bright & Prismatic, Psychedelic, Textured & Found Objects

YEAR

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FULL ARTWORK

ABOUT THE WORK

Artwork Description

This piece remembers itself as submersion—a descent into waters that refract every unspoken thing into prismatic bloom.

Ultramarine depths pulse with bioluminescent secrets: coral branches grasp at vanished light, honeycomb geometry holds the architecture of sweetness and labor, chains dangle like kelp in currents that exist only in the mind's eye.

Button moons float between dimensions, neither fully submerged nor surfaced.

The painted surface erupts with cellular life—poured paint creating the breathing texture of living tissue, metallic sheens catching phantom illuminations from sources long extinguished.

Vintage insects hover, preserved specimens from a naturalist's fever dream, while botanical fragments suggest gardens drowned in time's slow flood.

Oxidative reactions have written their own language across the canvas, rust and verdigris speaking of transformation's patient work.

This is the space where light fractures, where every wavelength finds its voice, where the solid world dissolves into its component colors.

The painting holds its breath beneath an ocean that exists between memory and prophecy, where everything glimmers with the iridescence of things seen sidelong, never straight on.

HOW IT WAS MADE

Materials & Process

ACRYLIC PAINT
INK
OIL PASTEL
ARCHIVAL VARNISH
COLLAGE ELEMENTS
CANVAS SURFACE
Acrylic paint, acrylic pouring medium, heavy gel medium, gesso, Pebeo Prism paint, Pebeo Fantasy Moon paint, phosphorescent paint, iridescent inks, alcohol inks, oxidative inks, distress inks, walnut ink, India ink, colorshift paint, ceramic paint, stained glass paint (Pebeo Vitrail), spray paint, watercolor, oil pastels, soft pastels, charcoal, distress crayons, mica powder, glitter, wax medium, tissue paper, archival photo collage, digitally altered imagery printed on fine art paper, found objects (buttons, chains, beads, jewelry, gems), vintage ephemera, newspaper, foils, vinyl, plastic, string, stretched canvas ```

Acrylic paint, acrylic pouring medium, heavy gel medium, gesso, Pebeo Prism paint, Pebeo Fantasy Moon paint, phosphorescent paint, iridescent inks, alcohol inks, oxidative inks, distress inks, walnut ink, India ink, colorshift paint, ceramic paint, stained glass paint (Pebeo Vitrail), spray paint, watercolor, oil pastels, soft pastels, charcoal, distress crayons, mica powder, glitter, wax medium, tissue paper, archival photo collage, digitally altered imagery printed on fine art paper, found objects (buttons, chains, beads, jewelry, gems), vintage ephemera, newspaper, foils, vinyl, plastic, string, stretched canvas ```

THE ARTIST'S VOICE

Interpretation / Story

This work explores the threshold consciousness of transformation—that suspended state where identity dissolves into its component frequencies before reconstituting as something new. The underwater realm serves as metaphor for the subconscious, that fluid space where logic gives way to symbol and connection operates through resonance rather than reason. The prismatic quality addresses how trauma, memory, and profound experience scatter coherent narrative into emotional wavelengths that we must learn to perceive individually before we can reintegrate them. The piece questions what we lose when light passes through us—how experience refracts the self, bending some aspects toward visibility while casting others into shadow. The collision of marine biology, insect anatomy, and geometric order suggests the universality of pattern—how the same archetypal structures emerge across wildly different contexts, hinting at an underlying unity beneath apparent diversity. The abundance of texture and collage creates a tactile archaeology, inviting viewers to trace the layers of accumulated experience, to feel how meaning builds through accretion and revision. This painting offers both immersion and examination, asking us to surrender to the depths while simultaneously studying what lives there.

This work explores the threshold consciousness of transformation—that suspended state where identity dissolves into its component frequencies before reconstituting as something new. The underwater realm serves as metaphor for the subconscious, that fluid space where logic gives way to symbol and connection operates through resonance rather than reason. The prismatic quality addresses how trauma, memory, and profound experience scatter coherent narrative into emotional wavelengths that we must learn to perceive individually before we can reintegrate them. The piece questions what we lose when light passes through us—how experience refracts the self, bending some aspects toward visibility while casting others into shadow. The collision of marine biology, insect anatomy, and geometric order suggests the universality of pattern—how the same archetypal structures emerge across wildly different contexts, hinting at an underlying unity beneath apparent diversity. The abundance of texture and collage creates a tactile archaeology, inviting viewers to trace the layers of accumulated experience, to feel how meaning builds through accretion and revision. This painting offers both immersion and examination, asking us to surrender to the depths while simultaneously studying what lives there.

WHAT LIVES INSIDE

Hidden Images & Symbolic Elements

The honeycomb structures speak to the sacred geometry of labor and community—the architecture bees build to contain transformation, from pollen to gold. These hexagonal chambers suggest both cellular biology and spiritual order, the underlying patterns that govern growth and decay. The coral branches reach like neural pathways or bronchial trees, reminding us that all systems of flow and exchange mirror one another across scales. Insects preserved in the composition become totems of metamorphosis, creatures who understand the alchemy of cocoon and emergence. Buttons scattered throughout serve as portals or sealed chambers, circular thresholds between states of being. The chains reference bondage and connection simultaneously—what tethers us also links us to something beyond ourselves. The dominant blue suggests both drowning and baptism, the death-rebirth duality of water symbolism. Pink coral formations evoke the body's interior landscapes, the hidden architecture of organs and emotion. This is a painting of the liminal zone where light breaks apart, where unity fractures into spectrum, where wholeness becomes visible only through fragmentation. ```

BEFORE YOU COLLECT

Framing & Shipping Notes

01

ORIGINAL ARTWORK

This is the one-of-a-kind original, hand-created by Megan Ashman. No prints or reproductions are sold as originals.

02

SHIPS CAREFULLY PACKAGED

Each work is packed with archival materials and shipped with care. Insurance and tracking are included with every order.

03

FRAMING

This work ships unframed. Framing advice is available on request — we can suggest dimensions that suit the piece and your display context.

04

QUESTIONS BEFORE PURCHASING

Collectors are warmly encouraged to contact the studio before purchasing. We welcome all questions about scale, display, and condition.

PRIVATE COLLECTOR SUPPORT

Need to see more before collecting?

Request additional images, ask about scale and display, or schedule a private studio visit.

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